Back to Basics

May 2010 | BY | Issue 72, Summer 2010 | 2 COMMENTS

Many classes at the Anderson Ranch Arts Center are housed in old barns from the school’s previous incarnation as a working ranch.

California-based painter and professor Howard Ikemoto once told the following story: “When my daughter was about seven years old, she asked me one day what I did at work. I told her I worked at the college—that my job was to teach people how to draw. She stared at me, incredulous, and said, ‘You mean they forget?’ ”

If we’re honest with ourselves, many of us have forgotten much of what we felt as children in art class—total freedom to express ourselves without judgment. The good news is that there are plenty of art schools all around the country that make it their mission to help adults reclaim that feeling.

There’s no better time than summer to take a break from your everyday routine, escape to a beautiful place far away from home, and spend a few days trying your hand at painting, sculpting or blowing glass.

We’ve chosen to profile the following eight art schools because of their ideal locales, strong educational reputations and impressive lists of alumni. But there are dozens more to choose from. Click the link below for a list of some of the other art schools across the country.

Web Exclusive: Click here for an extensive list of art schools and centers offering classes across the country.

For more of “Back to Basics,” pick up the Summer 2010 issue of AmericanStyle, on newsstands May 25! Subscribe now and never miss an article.

Pushing the Limits

May 2010 | BY | Issue 72, Summer 2010 | 2 COMMENTS

Visitors can climb through MonstroCity at Bob Cassilly’s City Museum to investigate two aircraft fuselages.

You can see the wistfulness in their eyes. The two are dying to join their kids clambering up, over, under and inside the colorful, fancifully designed pieces in the oceanic exhibit—but, well, they’re adults.

A sharp-eyed museum employee spots their hungry gazes, and urges them to start exploring, too. “Go ahead and climb up there!,” he assures, gesturing toward the thick, industrial coil that winds around a tiled pillar before disappearing into the cloudlike ceiling two stories above. “This museum is for everyone, not just kids.”

Welcome to St. Louis’s City Museum, a most unusual place. Part industrial salvage yard, part playground, part art museum, its riotous jumble of colors, textures and shapes mesmerizes you the minute you walk through the door. You don’t know where to head first.

Should you slither through the gaping maw of the giant, white whale, or zip down the three-story conveyor-belt slide? But a plethora of intriguing, half-hidden paths of tunnels beckon. You can’t resist, although you have no idea where any of them lead. Like that hollowed-out tree branch stretching along the ceiling two stories above. People are carefully inching through it on their bellies, and it looks rather claustrophobic, not to mention a bit precarious. It’s precisely these types of thrills that make the museum such a hit.

For more of “Pushing the Limits,” pick up the Summer 2010 issue of AmericanStyle, on newsstands May 25! Subscribe now and never miss an article.

Editor’s Note: Where’s Rocco? Out on the Road for the Arts

May 2010 | BY | Issue 72, Summer 2010 | 2 COMMENTS

“Into the Wind” by Richard Hess.

I think I’m in love with Rocco Landesman. The new National Endowment for the Arts chairman launched an Art Works Tour last October to see for himself how the arts contribute to local economies, and so far, he’s doing (and saying) everything right.

In Philadelphia, he took in neighborhood murals; in Michigan, he checked out the arts in urban Detroit and tiny Chelsea; in San Diego, he made the rounds of old buildings adapted for arts reuse. And everywhere he went, his message was the same: “Arts,” he affirmed, “change the ethos of a community. They enliven it; they activate the public life.”

It’s a message AmericanStyle can heartily endorse, and we applaud Landesman’s efforts to raise the bar on NEA funding with Congress. His “Our Town” initiative alone—investing a proposed $5 million in up to 35 communities to support new projects, including the mapping of cultural districts and the integration of public art into civic spaces—makes my heart beat faster.

In effect, the winners of AmericanStyle’s 2010 Top 25 Arts Destinations are perfect examples of how art, culture and tourism can make great things happen. The 75 cities voted into the three Top 25 categories have reputations as arts destinations eminently worth visiting. To keep abreast of Chairman Landesman’s agenda, go to the NEA’s “Art Works” blog at www.arts.gov/artworks.

If you care about the arts (and you wouldn’t be reading AmericanStyle if you didn’t), write to your congressman in support of greater arts funding, and participate in arts events in your hometown. Better yet, plot your own Art Works Tour. That’s what I did just last week in Fredericksburg, Texas (pop. 11,000), soaking in its wildflowers, history and amazing array of galleries and visual arts venues. It’s a community of friendly people and fantastic art, from paintings and sculpture to all kinds of contemporary crafts, much of which is the work (like the raku-fired horse by potter Richard Hess at Artisans at Rocky Hill) of regional artists. Fredericksburg isn’t on our Top 25 list yet, but it should be.

One last note: we’re very proud of AmericanStyle’s completely redesigned and updated website, launched with this issue on May 18. Kudos to our webmaster Joel Bobeck and everyone on staff who made it happen. Now check it out for yourselves.

Hope Daniels
Editor-in-Chief

Arts Focus: The Power of Pins

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Former Secretary of State Madeleine Albright’s “Katrina” pin recalls the devastation of Hurricane Katrina. Credit: John Bigelow Taylor/”Katrina,” Designer Unknown (U.S.), 1994

As the first female Secretary of State, Madeleine Albright had a few decisions to make that her male peers did not—how to update her wardrobe, which colors to choose and, most important, what jewelry to wear. The latter was a decision practically made for her in 1994, while she served as America’s ambassador to the United Nations.

Albright had criticized Saddam Hussein when he refused to disclose complete descriptions of Iraq’s weapons programs. The Iraqi press responded to her criticism with a poem, calling her an “unparalleled serpent.” When preparing for her meeting with Iraqi officials soon after its publication, Albright remembered a pin she’d bought years earlier—a gold snake wrapped around a branch with a diamond dangling from its mouth.

Albright wore it to her meeting, not intending to make a fuss over its symbolism. While she was leaving, she encountered a member of the U.N. press corps. “As the television cameras zoomed in on the brooch, I smiled and said that it was just my way of sending a message,” she explains.

For more of “The Power of Pins,” pick up the Summer 2010 issue of AmericanStyle, on newsstands May 25! Subscribe now and never miss an article.

Style Spotlight: Summers by the Sea

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Metalsmith Paula Jerome relives her favorite Atlantic City, N.J., memories through her recycled sterling silver (shown) and 14kt gold “Charms Collection.” Credit: Stuart Goldenberg Photography

If you spent summers in Atlantic City, N.J., prepare to be transported back in time. Paula Jerome’s “Charms Collection” bracelets recall everything from an Atlantic City postcard and a diving horse to Fralinger’s Salt Water Taffy. The “Bathing Beauty” charm is based on Jerome’s memories of her mother posing on the beach.

“I grew up in the 1950s,” Jerome explains. “I think it was a simpler time. The historical icons represented in my charms are reflective of those times.” She spent summers from 1949 to 1975 among the white sandy beaches and salty air.

The bracelet and charms are available in recycled sterling silver and 14kt gold with diamonds. Prices range from $62 for a “Lucy the Elephant” or “Diving Horse” charm in sterling silver to $2,238 for a 14kt gold “Jitney Bus” charm.

But please don’t ask her to add any additional charms to this collection. “I went through an exhaustive legal search to discover which historic icons I could produce for this collection,” says Jerome, who now lives in Asheville, N.C. And she’s already hand-cast every single one of them. But, she says, “plans are in the pipeline to do charms from other places and cities.” Visit www.paulajerome.com for more information.

Style Spotlight: Measuring the State of Craft in Vermont

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Works by Vermont artists in the Bennington Museum’s “State of Craft” exhibition include Judith Reilly’s “Edge of Town” quilt.

Vermont studies the studio craft movement through a regional lens in the groundbreaking exhibition, “State of Craft,” at the Bennington Museum in Bennington, Vt., through Oct. 31.

In an attempt to record previously under-researched history, the exhibition examines the evolution of fine American craft in Vermont from 1960 to 2010 in three parts. “Living by ‘Making’ ” examines the cultural roots of pioneers like Karen Karnes, known as the “grandmother of American ceramics,” self-taught weaver Carol Crawford, and a mentor-apprentice relationship between metalsmiths Celie Fago and Jennifer Kahn.

“Communities and Connections” explores the natural urge for creative professionals to cluster together. Quilter Judith Reilly moved to Vermont in 2004, and has since taught fellow artists new techniques and artistic approaches. Her sense of community and the relationship between nature and man are explored in the piece “Edge of Town.”

“Inspirations” recognizes the differences between traditional craft and expressive craft, as well as local and global influences. Alan Stirt’s turned ceremonial vessels reflect the patterns he sees on canoeing trips. Glass blower Harry Besett was influenced by his apprenticeship with Josh Simpson. Today, he and his wife Wendy are equally inspired by the rolling hills of Hardwick.

“State of Craft” is a multi-year collaborative project of the Vermont Crafts Council, the Bennington Museum and the Vermont Folklife Center, with the intent to document, preserve and interpret the contemporary crafts movement in Vermont. To celebrate its 20th anniversary, the Crafts Council has also set up a series of concurrent exhibitions at satellite galleries, schools and organizations. To learn more, visit www.stateofcraft.org.

Arts Walk: Canyon Road, Santa fe new mexico

May 2010 | BY | Issue 72, Summer 2010 | 1 COMMENT

Bronze face fragments by Edge artist Susan Stamm Evans welcome visitors to Santa Fe’s Canyon Road.

In the lexicon of the visual arts, Santa Fe, N.M., is a mecca. Situated 7,000 feet above sea level on a high plateau at the base of the Sangre de Cristo Mountains, it is a place where colors are more intense, people are more laidback and art is everywhere.

Santa Fe’s history is studded with stories of artists and dreamers, lured to the city for all kinds of reasons. Georgia O’Keeffe is no doubt the best-known Santa Fe artist today, but it was “Los Cinco Pintores,” a group of now-almost-forgotten Modernist painters from the 1920s, who put the crown jewel of Santa Fe’s art market, Canyon Road, on the map.

All young and highly unconventional, artists Willard Nash, Jozef Bakos, Will Shuster, Fremont Ellis and Walter Mruk built homes just off Canyon Road. Dubbed “the five little nuts in five adobe huts” by locals, the Cinco Painters experimented freely with new techniques (shaking up the traditional Taos Society of Artists in the process) and led colorful, uninhibited lives (shaking up the rest of buttoned-up, prohibition-era Santa Fe society as well). Their flaunting of convention naturally drew crowds.

Web Exclusive: Click here for an easy-to-read, easy-to-download Flip Book of our full Canyon Road Arts Walk, including an extended list of galleries in the area.

City Arts: Destination Baltimore- A Charmed City

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

The American Visionary Art Museum’s (AVAM) main building glimmers in the afternoon sun. Credit: Visit Baltimore

Fans of John Waters’ films know what makes Baltimore a must-see arts destination—it’s an enclave of funkiness, and a city of charming neighborhoods. Each neighborhood has distinct character, molded by like-minded artists and organizations that have created an endless list of destinations for the curious visitor.

“I don’t think a lot of cities have a patchwork quilt of neighborhoods where the arts are in every square,” says Deborah Bedwell, executive director of Baltimore Clayworks. “The arts scene in Baltimore is hugely inclusive.”

Sure, it might be tempting to stay the course and only explore the brick pathways of the well-known Inner Harbor, but Baltimore offers so much more—it just requires a bit of research to reap big rewards. Where should you start? Major hotspots include a renowned outsider art museum, a nonprofit ceramics school with an international reputation, and an art-filled neighborhood teeming with independent businesses.

Web Exclusive: Click here for our picks of the best places to eat, see and stay in our favorite Baltimore neighborhoods.

For more of “Destination: Charm City,” pick up the Summer 2010 issue of AmericanStyle, on newsstands May 25! Subscribe now and never miss an article.

Arts Travel: Stop and Smell the Lavender

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Festival goers walk the Olympic Lavender Farm during the Sequim Lavender Festival.

If you can’t afford to travel to Provence, France, this summer, try Sequim, Wash.—it has a very similar climate, and the stateside town has the benefit of being the self-proclaimed “lavender capital of the world.”

To explore some 50 varieties of lavender growing in the Olympic Peninsula, visit the Sequim Lavender Festival July 16-18. The weekend includes farm tours and a street fair teeming with art vendors.

Lavender ranges from sweet white to crisp purple, and has a variety of applications. Expect to meet growers on the daily tour of more than 30 farms, and learn how to cultivate, dry and use lavender. You’ll also discover the differences in the varieties—some are better for cooking, others for landscaping. Although you could drive on your own, your best bet is to hop on one of the farm tour buses to travel to each location.

Next, stop at the street fair, which is located downtown on Fir Street between Sequim and Third Avenues. More than 150 vendors from across the Northwest sell everything from lavender ware to art and natural crafts.

Tickets for the farm tour are $15 and include access to the buses all weekend. The street fair is free. For details, visit www.lavenderfestival.com.

Arts Travel: Sculpture En Plein Air

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

The Bernar Venet exhibition at Hermann Park in Houston, Texas, includes “Arcs in Disorder: 3 Arcs x 5.” Credit: Bernar Venet Studio and McClain Gallery, Houston/Nash Baker

Summer is the season to get outdoors and explore art alfresco. To get you started, we’ve handpicked a series of sculpture parks across the country.

The Des Moines Art Center in Iowa has outdone itself: the John and Mary Pappajohn Sculpture Park officially premiered last fall, 32 blocks east of the art center. The south side of the park is a must-see: it offers dramatic views of Mark di Suvero’s bright-red steel “T8” and Jaume Plensa’s pensive “Nomade.” And be sure to walk the 4.4-acre park—the architects designed it to unfold slowly, using hills and 8-foot-high backdrops to focus your attention on specific works while temporarily hiding others. The park currently showcases 16 donations from collectors John and Mary Papajohn; when completed, it will feature 24 works worth $40 million. Visit www.desmoinesartcenter.org for details.

Houston’s Texan French Alliance for the Arts unveiled the exhibition Bernar Venet at Hermann Park in January. Eight seemingly impossibly arced steel sculptures that stand up to 30 feet high and weigh up to 12 tons will be on display at the 445-acre park through Sept. 30. Go to www.texanfrenchalliance.org for more information.

The Indianapolis Museum of Art in Indiana unveils “100 Acres: The Virginia B. Fairbanks Art & Nature Park” June 20 with a public grand opening to celebrate the eight initial commissions that dot the park’s 100 acres. The museum plans to continuously add new commissions to the park in the coming years. If you visit now, expect to see a group of 20 bone-shaped benches, 30-foot-wide hanging metal rings oriented so two shadows become one during the summer solstice, and a large, dark ship emerging from the park’s lake. For information on the special grand opening events, visit www.imamuseum.org.

Top 25 Mid-Size Cities

May 2010 | BY | Issue 72, Summer 2010 | 21 COMMENTS

1. St. Petersburg, Fla.

World-renowned glass artist Dale Chihuly will present his work at the Morean Arts Center in St. Petersburg, Fla.

In the gold position for the first time, the Sunshine City can now boast about more than its standard 360 days of sun a year. The arts are everywhere in St. Petersburg, from world-renowned institutions, such as the under-construction Salvador Dali Museum (opening Jan. 11, 2011) and the newly expanded Museum of Fine Arts, to the private art galleries that line its downtown streets. Resident Melody Delaney notes, “St. Petersburg has a unique and vibrant arts scene. Whether it be visual or performance art, the city deserves more credit than it’s often given.” With the community’s continuing strides in developing its art scene, St. Pete could enjoy a place at the top for years to come.

An example of the commitment to grow its artistic influence can be seen in the expansion and presentation of a new permanent exhibit at the Morean Arts Center. Beginning July 4, the Morean will present a gallery of works by famed glass artist Dale Chihuly. The “Chihuly Collection,” featured at the center’s new 10,000-square-foot space, will present works from throughout the glass pioneer’s career. Along with this collection, the Morean will also be opening a 4,000-square-foot Glass Studio & Hot Shop that will provide furnaces, kilns, studio space and seating for visitors to watch glass artists at work. Opening in early June, this exciting addition is expected to be a new home to artists across the state.

2. New Orleans, La.

Shannon Landis Hansen’s “Still Standing” is one of the 19 commissions completed by New Orleans artists who were displaced by Hurricane Katrina.

The Big Easy moseyed its way into the top three for the first time since Hurricane Katrina in 2005. The runner-up has worked hard to revitalize the city after the disaster, and art has made a considerable impact on the new New Orleans. “Artists were the first to return to our city after Katrina,” says Lindsay Glatz, director of marketing and communications for the Arts Council of New Orleans. Upon their return, the art scene grew and expanded, as it continues to do five years later. Reader Sharon Fronabarger of New Hope, Pa., states, “New Orleans is more than a place to go for partying and great food; it is also a center for art and music.”

In order to beautify areas affected by Hurricane Katrina, the Arts Council of New Orleans, funded by the Joan Mitchell Foundation, created the “Art in Public Places” program. Twenty artists working in different mediums each received $25,000 to create original artwork and help rebuild their artistic careers. Aimed specifically at artists from Louisiana and Mississippi, the program has inspired many works with themes of hope, such as Shannon Landis Hansen’s “Still Standing,” and pieces honoring nature’s powers, like Sally Heller’s “Scrap House.” The 19 completed commissions have become a fixture in New Orleans.

3. Alexandria, Va.

Artist and Art League instructor Fred Markham participated in “Paint” Alexandria 2009. Credit: Erica Fortwengler

A newcomer to the top five, the historic city of Alexandria has recently been getting noticed as an arts destination. Located across the Potomac River just six miles from Washington, D.C., the city is making a name for itself with art festivals, events and galleries. “There is art everywhere—outdoors in the parks and streets, museums that are free or low cost, a multitude of galleries and, of course, the wonderful Torpedo Factory,” says resident Mary Anne Weber. “Art is woven into the fabric of everyday life.”

On June 19, The Art League, a nonprofit visual arts organization and school, presents “Paint” Alexandria 2010. This annual, free event is for artists and art lovers of all mediums, backgrounds and skill levels. The plein air affair allows visitors to explore and interpret Alexandria’s oldest and most historic district with guidance from Art League instructors. Over the day, there will be numerous sessions where artists can participate as much or as little as they please, while the general public is encouraged to watch them at work.

4. Chattanooga, Tenn.

“Jellies: A Living Art” is at the Tennessee Aquarium in Chattanooga through May 2011.

Chattanooga is a city that simply lives and breathes art. Formerly referred to as the “dirtiest city in America,” the Scenic City has made a huge effort to clean up its image, with the help of artists. “Chattanooga has made wonderful strides in supporting and advancing the arts in a mid-size city,” says Jenny Shugart of her hometown. “It is a good example of what other cities its size can do to promote the arts.” Through ArtsMove, an artist relocation program, artists have been transforming formerly abandoned buildings into new galleries and studios. With three distinct arts districts in the city, there is something for everyone.

The Hunter Museum of American Art and the Tennessee Aquarium have come together to showcase jellyfish alongside amazing glass sculptures they inspired. “Jellies: A Living Art” presents the work of four acclaimed glass artists, plus six species of jellyfish, at the aquarium through May 2011. Guests can admire the works while listening to artists describe their pieces in an audio tour. Linked to the aquarium by a corridor, the Hunter Museum offers more glass art, featuring the work of 28 additional glass artists in their exhibit “Transformations 6” through Oct. 24.

5. Buffalo, N.Y.

464 Gallery in Buffalo, N.Y. Credit: Marcus L. Wise

Buffalo, an AmericanStyle readers’ favorite, proves that the Big Apple isn’t the only arts destination in New York State. “Buffalo ranks at the top for contemporary art,” admires reader Marilyn Suzan of Jamaica, N.Y. “The Burchfield Penney Art Center, Buffalo Arts Studios, and a wide range of galleries are the vehicles for expression of art in various mediums. Artistic expression is appreciated, respected and encouraged at all levels in Buffalo.” With more than 50 public and private galleries, art centers and museums, Buffalo’s list of amenities goes on and on.

In the past year, the number of art galleries and venues has continued to grow with the opening of four new art spaces in the city. Many of them are artist-run, like Sugar City and Nobody’s Art Center—exhibition spaces that offer art, music, readings and workshops, or created by a crop of young entrepreneurs, such as The Vault, an art space featuring shows and figure-drawing workshops. Other galleries are taking advantage of this movement and expanding. Marcus Wise opened 464 Gallery in 2009 to carry work by local artists, and this May opened an additional exhibition space, Blink, in the building next door.

6. Savannah, Ga.
7. Charleston, S.C.
8. Scottsdale, Ariz.
9. Pittsburgh, Pa.
10. Ann Arbor, Mich.
11. Tampa, Fla.
12. Miami, Fla.
13. Salt Lake City, Utah
14. Cleveland, Ohio
15. Minneapolis, Minn.
16. Providence, R.I.
17. Colorado Springs, Colo.
18. Athens, Ga.
19. Rochester, N.Y.
20. Cincinnati, Ohio
21. Raleigh, N.C.
22. Kansas City, Mo.
23. St. Louis, Mo.
24. Honolulu, Hawaii
25. Tacoma, Wash.

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