Top 25 Big Cities

May 2010 | BY | Issue 72, Summer 2010 | 24 COMMENTS

1. New York, N.Y.

Antony Gormley’s life-size, nude figures are an unexpected addition to New York’s skyline. Credit: © Antony Gormley. A Hayward Gallery Commission. Courtesy of Sean Kelly Gallery, New York and White Cube, London. Presented by Madison Square Park Conservancy.

The Big Apple. The City that Never Sleeps. A new nickname for New York City could be “The Artists’ Mecca.” Voted into the number one spot for the seventh straight year, New York continues to impress. Art is simply a part of the city’s culture, found everywhere from high-end galleries to the sides of buildings. AmericanStyle readers continue to flock to the nation’s art headquarters for its hundreds of museums, galleries, foundations and artist resources. “New York has so many contemporary art resources … The Museum of Modern Art, The Metropolitan Museum of Art, the Guggenheim Museum and the Whitney Museum of American Art are just the beginning,” says reader Laurie Henrichsen of Avon Lake, Ohio.

Visitors to New York might notice an interesting new addition to the iconic Manhattan skyline this summer. British sculptor Antony Gormley, sponsored by the Madison Square Park Conservancy, is presenting his new public art installation, “Event Horizon,” until Aug. 15. The project depicts 31 life-size, nude figures of the artist cast in iron and fiberglass. Twenty-seven of the figures will be placed at elevated heights on landmarks such as the Empire State Building and the New York Life Building to manipulate the skyline.

2. Chicago, Ill.

Chicago’s popular “Cloud Gate” sculpture is known to locals as “the Bean.” Credit: © City of Chicago/GRC

The Windy City has blown its way into the second spot once again this year. As the nation’s largest Midwestern city grows, so does its art scene. Wherever you go in Chi-Town, you are surrounded by public art. Take a walk in Millennium Park to see the famous “Cloud Gate” sculpture (aka “the Bean”) or Crown Fountain, featuring LED displays of Chicago residents spitting water from their mouths. Explore the city’s neighborhoods and check out the many murals by contemporary artists like native Jeff Zimmerman. Says reader Vicki Bennett of St. Petersburg, Fla., “Chicago … well, it’s Chicago, and even though it’s a nearly perfect city, it continues to get better.”

Running through October, the Chicago Department of Cultural Affairs presents Studio Chicago, a yearlong project focusing on artists’ studios. Through exhibitions, lectures, tours and publications, Studio Chicago will examine three important questions: “Why is the studio important to art and artists today? ,“ “What is the artist studio today?” and “What infrastructures are needed to support art practice and production?.” With the help of Columbia College Chicago, Gallery 400, Hyde Park Art Center, the Museum of Contemporary Art, the School of the Art Institute of Chicago and Threewalls, this project will celebrate working artists and reveal their sites of creative production.

3. Washington, D.C.

This rendering shows what the New York Avenue Sculpture Project will look like upon its completion in 2015. Credit: Jaroslaw Bieda

Coming in at number three for the third consecutive year, Washington, D.C., is not only our nation’s capital, but is vying to be the art capital as well. The numerous (and free!) Smithsonian art galleries and museums are only the first stop. Private studios and galleries representing all mediums make sure that no art lover is left out. “The art scene in Washington, D.C., needs no explanation … it abounds,” says reader Patty Moran of Alexandria, Va.

This city of monuments has a new addition among its ranks—in the form of a trio of women in colorful bathing suits. It is just the beginning of a changing installation of sculptures by women artists presented by the National Museum of Women in the Arts. On April 28, the New York Avenue Sculpture Project cut the ribbon on the first phase of the project, featuring the artwork of French sculptor, Niki de Saint Phalle. Her three 12- to 15-foot-high fiberglass sculptures, encrusted with mirrors, colored stones and mosaic glass, celebrate women, children, heroes, cultural diversity and love. When the project is finished in 2015, it will have transformed the four major medians on New York Avenue into sculpture islands dedicated to women.

4. San Francisco, Calif.

The San Francisco Museum of Modern Art turns 75 this year. Credit: Richard Barnes

Coming in fourth for the third consecutive year, the City by the Bay represents the West Coast in our top five Big Cities category. Historic cable cars, the Golden Gate Bridge and the colorful streets of Chinatown make San Francisco a city for artists and art lovers alike. Even the government pitches in, with $15.4 million allocated to arts and cultural events in 2008-2009. “In San Francisco, art and culture are one and the same,” says reader Bryan Stroud from Columbus, Ohio. “There is no better city when it comes to encouraging and rewarding the creative process.”

One of the most well-known museums in the city is celebrating a big birthday—the San Francisco Museum of Modern Art turns 75 this year. To celebrate, the museum will be holding a special series of exhibits entitled “75 Years Looking Forward.” The exhibitions will tell the stories of the artists, collectors and community leaders who helped make the museum what it is today.

SFMoMA is well on its way to becoming bigger and better than ever in its 75th year. With contributions of more than $250 million, the museum has begun planning an expansion project to triple the size of its galleries and public spaces. A portion of the money will be used to create a showcase for the world-renowned Fisher Collection, a private collection of modern and contemporary art that has been gifted to the museum.

5. Boston, Mass.

Boston’s new Harvard Art Museum will bring three museums to one central location. Credit: Harvard Art Museum

There is much more to Boston than its historical sites. With modern galleries, craft festivals, museums and the well-known Institute of Contemporary Art, Beantown is definitely in the 21st century. “From the idiosyncratic Isabella Stewart Gardner Museum to the Diablo Glass School, Boston has a spirit broad enough to preserve the antiquities of our founding fathers and foster the cutting-edge designs of today’s artists,” says reader Barbara Ganschow of Sparks, Nev. Some Boston hotspots include the Fort Point Arts Community, South End Open Market (open every Sunday through October) and the Museum of Fine Arts.

The Harvard Art Museum at Harvard University is undergoing a makeover—bringing their three separate museums (the Fogg, the Busch-Reisinger and the Arthur M. Sackler) to one central location. The goal of the project is to create a new platform for teaching the arts and offer larger exhibitions spaces for the general public to enjoy. The museum plans to open in 2013, but until then, visitors will be able to visit “Re-View” at the Sackler. The exhibit focuses on 600 works from all three art museums, featuring Western, Islamic and Asian art.

6. Philadelphia, Pa.
7. Albuquerque, N.M.
8. Seattle, Wash.
9. Atlanta, Ga.
10. Baltimore, Md.
11. Portland, Ore.
12. Los Angeles, Calif.
13. Columbus, Ohio
14. Austin, Texas
15. Denver, Colo.
16. San Diego, Calif.
17. Tucson, Ariz.
18. Nashville, Tenn.
19. Phoenix, Ariz.
20. Charlotte, N.C.
21. San Antonio, Texas
22. Milwaukee, Wis.
23. Las Vegas, Nev.
24. Dallas, Texas
25. Jacksonville, Fla.

Style Spotlight: Artists’ Life

May 2010 | BY | Issue 72, Summer 2010 | 1 COMMENT

Haida sculptor Robert Davidson won a 2010 Governor General’s Award in Visual and Media Arts for work like this carved cedar sculpture, “Ravenous.” Credit: Kenji Nagai

The Canada Council for the Arts announced the winners of the 2010 Governor General’s Awards in Visual and Media Arts in March. Notable winners include Haida sculptor Robert Davidson, who began carving at the age of 13 and is well known for his totems, masks, paintings, prints and jewelry. Ione Thorkelsson won the Saidye Bronfman Award for excellence in fine crafts in recognition of her achievements in cast-glass sculpture.

The Anderson Ranch Arts Center announced its honorees for significant accomplishments in the arts in March. Sculptural ceramist Betty Woodman and her husband George Woodman, a painter and photographer, will be awarded the National Artist Award. Garth Clark and Mark Del Vecchio of Clark + Del Vecchio in Santa Fe, N.M., will be honored with the Service to the Arts Award for becoming a respected international resource for contemporary ceramic art. A ceremony and recognition dinner is scheduled July 14.

Accomplished weaver Joyce Begay-Foss was named the chairperson of the Indian Arts and Crafts Board of the U.S. Department of the Interior in February. “I look forward to promoting authentic Native American art and craft and combating the sale of counterfeit products,” explains Begay-Foss.

The Museum of Contemporary Art in Los Angeles named light artist Jenny Holzer the recipient of the sixth MOCA Award to Distinguished Women in the Arts at a luncheon and fundraiser in April. The award recognizes gifted women providing leadership and innovation in the arts.

The Kentucky Museum of Art and Craft in Louisville named installation artist Michelle Amos its spring 2010 artist in residence. She will work in an on-site studio though Aug. 15 on fiber pieces inspired by the Ohio River.

The Bellevue Arts Museum honored two jewelers with awards of excellence at its inaugural jewelry marketplace, Indulge, in February. “Stephanie Tomczak was highlighted as an emerging artist. Her jewelry is inspired by the nature of growth and decay,” explains juror Stefano Catalani. “In contrast, Tom Herman represents a master jewelry maker.”

Andrew DeVries celebrates 30 years as a sculptor with a series of events at various locations in Massachusetts throughout the year, most notably a gala on July 3 at Lenox Gallery. DeVries is one of a few sculptors who casts and finishes his own bronze in the Renaissance tradition.

Glass artist Seranda Vespermann installed two 17- by 7-foot stained-glass windows in the Methodist Le Bonheur Germantown Hospital’s new Women’s & Children’s Pavilion in Germantown, Tenn., in November. “The design is meant to encourage faith, healing and joy,” Vespermann says of the pieces, which contain more than 150 colors.

The Florida Craftsmen announced the award winners of its November CraftArt 2009 show. Notable winners include ceramist William Kidd, who won best of show; and award of excellence winners jeweler Pam Fox, fiber artist Jean Yao, jeweler and painter Jennifer Bauser, paper artist Lucrezia Bieler and jeweler Melissa Finelli.

Style Spotlight: Sold!

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Kurt Weiser’s ceramic sculpture “The Botanist” sold for $4,200 at Ceram-a-Rama in March.

The Arizona State University Art Museum Ceramics Research Center’s Ceram-a-Rama: A (really) Progressive Clay Affair ran March 4-7 in Tempe, offering a weekend of private home tours, exhibitions and live and silent auctions. More than 150 guests attended the gala cocktail party on Saturday night, bidding on 26 live-auction lots and 130 silent-auction lots, raising more than $90,000 for the center’s exhibitions and education programs. The top sellers included Jun Kaneko’s “Dango,” which sold for $12,000, Sunkoo Yuh’s “YOS,” which sold for $6,100, and Kurt Weiser’s “The Botanist,” which sold for $4,200.

Polymer clay artists in Laurel, Md., held a successful Cabin Fever Clay Festival Feb. 19-24. Artists and instructors gathered for more than 25 workshops on an array of techniques, ending the event with an auction on Feb. 24. More than $3,500 was raised to benefit three nonprofits, with top sellers including a necklace by Jeffrey Lloyd Dever. AmericanStyle’s publisher Wendy Rosen was on hand to present the creative pioneer and innovator award to polymer clay artist Nan Roche for her contributions to the medium.

The Oregon College of Art and Craft’s Feb. 20 Art on the Vine Auction in Portland, Ore., drew a crowd of nearly 400 to bid on 377 works. The event raised more than $365,000 to benefit the school’s programming and scholarships for promising degree students and underserved children. Top sellers included “Nirvana Nuvo” by René Rickabaugh, which sold for $7,000, and “Willamette River” by Annie Meyer, which sold for $5,000.

The Bay Area Glass Institute’s ninth annual Great Glass Auction in San Jose, Calif., raised more than $110,000 to support the nonprofit’s ongoing public education and visiting artist programs. Approximately 115 guests attended the Feb. 6 auction, reviewing 33 pieces in the live auction and 28 pieces in the silent auction. Top sellers included “Fish Hanger” by Hiroshi Yamano, “Cyclone Expecting” by Kathleen Elliot and “Murrinicube” by Toland Sand.

Style Spotlight: Cream? Sugar? Artists?

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

For those of us who rely on an art fix as much as a caffeine fix, there’s hope: the “Baltimore Artist Blend” series by High Grounds Coffee Roasters. The small company, based in Baltimore, Md., began featuring the work of local artists on its labels as a way to promote the hometown art scene. But it’s become much bigger than that—once the Maryland Institute College of Art caught wind that many of its past students were among the more than 20 artists featured, alumni from across the country flocked to High Grounds’ website to purchase the blend.

The 12-ounce bags of fair-trade, medium-to-dark-roast coffee are available for sale at Whole Foods stores in the Baltimore area, or on High Grounds’ website, www.highgroundscoffee.com. Featured artists include painter David Diaz and photographer Jim McPherson.

Brett Bixler, owner of High Grounds and mastermind of the project, is now looking to expand the idea to other areas. Any city or arts guild nationwide can contact him to concoct its own blend of local artists, with an order as small as 100 bags. Contact Bixler at 410-215-9202 or high.grounds@yahoo.com.

Style Spotlight: Designed to Last

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Catherine Bailey and Robin Petravic of Heath Ceramics designed this glazed ceramic stoneware with Christina Zamora. Credit: Jeffery Cross

How can design help us solve some of the world’s most pressing problems? What draws creative thinkers to this field? Why should we embrace design and its values in our everyday lives? These are the questions the Smithsonian’s Cooper-Hewitt, National Design Museum asks in its fourth National Design Triennial.

For the first time since its inception in 2000, the exhibition is global in reach, examining more than 125 objects in eight themes. Its goal is to showcase design solutions that promote environmental stewardship, social equity, accessibility and creative capital, and were created in the last three years.

Works include Japanese designer Oki Sato’s pleated paper “Cabbage Chair” prototype, which allows you to peel away the layers until you’ve created the perfect seat; Natalie Chanin’s handcrafted indigo-dyed and embroidered coat, which illustrates her focus on slow design and sustainability; and functional stoneware from Heath Ceramics, which concentrates on local American manufacturing and products that last a lifetime.

“National Design Triennial: Why Design Now?” runs through Jan. 9 at the Cooper-Hewitt in New York City. For more information, visit www.cooperhewitt.org.

Style Spotlight: Wood Artists Shine in Hawaii

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Wood artist Tiffany DeEtte Shafto can now add publisher to her resume. The Hawaii artist recently partnered with frequent AmericanStyle contributor Lynda McDaniel to create Contemporary Hawai‘i Woodworkers: the Wood, the Art, the Aloha (Contemporary Publications, $44.95), a glossy coffee table book that highlights a vibrant community of wood artists in the middle of the Pacific Ocean.

The goal, Shafto explains, is not just to tell the stories of contemporary Hawaiian woodworkers, but to detail how everything is connected—“the climate, the trees, the beauty, the creative power of humanity.”

The book tells the stories of 36 wood artists, including furniture makers, sculptors, turners and carvers, through short articles complemented by large full-color photographs of their recent works. From there, the book details Hawaii’s native trees, including the all-important koa, and ends with a series of profiles on local wood-related guilds, organizations and associations.

In all, it’s a complete guide to Hawaii’s natural beauty, its artists and the community that connects them. “The collective energy from this experience has strengthened my belief in how innate—and essential—the urge to create is,” McDaniel explains.

Style Spotlight: Curiosity Made the Monkey

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

The illustration “One day George saw a man. He had on a large yellow straw hat.” was published in The Original Curious George. Credit: © Houghton Mifflin Harcourt Publishing Company

He was born in Africa. He met a man with a yellow hat. He landed an acting job in Hollywood. He traveled in a spaceship.

Sound familiar? Many of us can recite the adventures of that cute little monkey, Curious George, by heart. Now he is the centerpiece of a major exhibition at The Jewish Museum in New York, “Curious George Saves the Day: The Art of Margret and H.A. Rey,” through Aug. 1.

The real-life adventures of illustrator H.A. Rey and his wife, author and artist Margret Rey, are not as well known as those of their curious character. The Reys were born in Germany to Jewish parents and lived together in Paris for four years. Hours before the Nazis marched into the city in 1940, the couple fled on bicycles, carrying drawings for their children’s stories. After settling in New York, the Reys authored more than 30 books, including seven starring Curious George.

“Curious George Saves the Day” features close to 80 original drawings and watercolors, and transforms one of the museum’s exhibition galleries into a reading room inspired by the book Curious George Flies a Kite. It will also be traveling to the Contemporary Jewish Museum in San Francisco, Nov. 14-March 13, 2011.

Parting Shot

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Credit: Mike Sinclair

BIG READ “Subtle” was not part of the vocabulary when the Kansas City Public Library began designing the parking garage for its downtown Kansas City, Mo., location. The 25-foot-tall book spines that line the south wall of the garage on 10th Street between Wyandotte Street and Baltimore Avenue are sure to make you want to read on. Twenty-two titles, ranging from classics like The Republic by Plato, Catch-22 by Joseph Heller and The Collected Poems of Langston Hughes to children’s stories like Goodnight Moon by Margaret Wise Brown and Green Eggs and Ham by Dr. Seuss, were selected by local readers and the board of trustees to reflect a wide range of reading interests. The project was conceived in 2000 when the Downtown Council purchased the historic First National Bank building that now houses the library. Its 500-stall garage is dubbed the “Community Bookshelf.”

It’s as Easy as 1, 2, 3

May 2010 | BY | Issue 72, Summer 2010 | 3 COMMENTS

Ceramic artist Dennis W. Smith is a full-time teacher at the Southwest School of Art & Craft.

Signing up for an art class or workshop should be fun, not intimidating, so go ahead and make your move! To help you out, here’s a sampling of schools and centers across the country that offer instruction for everyone from beginners to expert-level students.

NORTHEAST

Abington Art Center
Jenkintown, Pa.
Offers year-round classes in painting, drawing, ceramics, photography and jewelry.

Brookfield Craft Center
Brookfield, Conn.
Classes and workshops exploring basketry, blacksmithing, ceramics, glass, jewelry, wood turning, photography, painting and more.

Center for Furniture Craftsmanship
Rockport, Maine
Offers one- and two-week workshops, 12-week intensives and nine-month comprehensives to address the needs of students of all skill levels.

Clay Art Center
Port Chester, N.Y.
Workshops and classes in wheel-throwing, sculpture and hand-building.

The Clay Studio
Philadelphia, Pa.
Year-round classes are offered in four sessions: winter, spring, summer and fall.

Fine Arts Work Center
Provincetown, Mass.
Summer workshops tackle studio arts, printmaking and photography.

Guilford Art Center
Guilford, Conn.
All skill levels are welcome at year-round weekly classes and weekend workshops in blacksmithing, ceramics, fiber, painting and more.

Haystack Mountain School of Crafts
Deer Isle, Maine
Offers studio-based workshops in clay, glass, metal, paper, weaving, woodworking and more.

Museum School at the Provincetown Art Association and Museum
Provincetown, Mass.
Year-round studio art program offers summer classes and an eight-week intensive, as well as fall and winter workshops and classes.

New Art Center
Newtonville, Mass.
Year-round weekly classes explore ceramics, painting, mixed media, silk screening, stained glass and more.

Pelham Art Center
Pelham, N.Y.
Offers classes in clay and sculpture, craft and applied arts, mixed media, and painting and drawing all year.

Peters Valley Craft Center
Layton, N.J.
May through September, offers two- to five-day workshops in seven areas: blacksmithing, ceramics, fiber, fine metal, photography, woodworking and special topics.

Pittsburgh Center for the Arts
Pittsburgh, Pa.
Classes are offered year-round in painting, drawing, ceramics, jewelry and more, for students aged 2 to 92.

Pittsburgh Glass Center
Pittsburgh, Pa.
Classes for all skill levels range from two-hour introductory workshops to eight-week classes.

Rhode Island School of Design
Providence, R.I.
The continuing education program offers summer studies and workshops, as well as children’s classes.

Snow Farm: The New England Craft Program
Williamsburg, Mass.
Two- or four-day workshops and “Art InDepth” weeklong workshops take place in an inspiring setting—the foothills of the Berkshire Mountains.

Touchstone Center for Crafts
Farmington, Pa.
This three-season school offers weeklong and weekend courses in ceramics, metal, textiles, glass, painting, photography and printmaking.

UrbanGlass
Brooklyn, N.Y.
Weekly classes, workshops and intensive master classes explore glass blowing, casting, torch working, fusing, slumping, neon, mosaics, stained glass, cold working and jewelry.

Wayne Art Center
Wayne, Pa.
One- or two-day workshops and weekly classes tackle painting and drawing, ceramics, metal jewelry and special mediums.

Worcester Center for Crafts
Worcester, Mass.
The center, which recently aligned with Worcester State College, offers all-level classes and workshops in a variety of mediums.

SOUTH

Appalachian Center for Craft
Smithville, Tenn.
This satellite campus of Tennessee Tech University offers evening and weekend classes and six-day intensive summer workshops.

Arrowmont School of Arts and Crafts
Gatlinburg, Tenn.
Offers weekend, one- and two-week sessions May through October, and evening and Saturday classes January through March.

Baltimore Clayworks
Baltimore, Md.
Offers hands-on studio classes in all aspects of pottery, clay sculpture and ceramic processes.

Corcoran College of Art + Design
Washington, D.C.
The continuing education department offers more than 200 classes and workshops in studio art, design, photography, art education and art history.

Glassworks
Louisville, Ky.
Offerings range from walk-in workshops to more intensive year-round classes in glass blowing, flame-working, fusing and more.

John C. Campbell Folk School
Brasstown, N.C.
Year-round weeklong and weekend classes in a variety of mediums are offered on this scenic campus.

New Orleans School of GlassWorks and Printmaking Studio
New Orleans, La.
Offers classes in glass blowing, mosaics, metal sculpture, printmaking and more.

Penland School of Crafts
Penland, N.C.
One-, two- and eight-week workshops are available in paper, clay, drawing, glass, metal, photography, printmaking, textiles and wood.

Savannah College of Art and Design
Savannah, Ga.
Community education classes and workshops, as well as summer programs, are available for any skill level in a variety of disciplines.

Sawtooth School for Visual Art
Winston-Salem, N.C.
Classes and workshops are offered in ceramics, fiber, glass, metal, photography, drawing, painting and wood.

VisArts at Rockville
Rockville, Md.
Classes, workshops and two-day art boot camps explore painting, drawing, ceramics, wood, glass, metal, jewelry and photography.

MIDWEST

Ann Arbor Art Center
Ann Arbor, Mich.
Choose from 250 beginner- to advanced-level classes in ceramics, painting, drawing, metal, fiber and more.

Art Academy of Cincinnati
Cincinnati, Ohio
Each year, close to 2,000 people take classes in a variety of mediums through the college’s community education program.

The Dayton Art Institute
Dayton, Ohio
Program includes one-day and five- to six-week classes in studio arts.

Des Moines Art Center
Des Moines, Iowa
With terms beginning in every season, classes are available in many disciplines and skill levels.

Detroit Institute of Arts
Detroit, Mich.
Hands-on creative workshops and classes are built on the premise, “art is for everyone,” so no experience is required.

Evanston Art Center
Evanston, Ill.
Day, evening and weekend workshops are offered to complement classes throughout the year.

Flint Institute of Arts
Flint, Mich.
The art school offers classes in drawing, painting, clay, mosaics, fiber, mixed media and photography for all skill levels.

The Glass Academy
Dearborn, Mich.
Their most popular classes for beginners are four-hour samplers, which offer a glimpse of what a full eight-week course would be like.

Indianapolis Art Center
Indianapolis, Ind.
Offers full-term classes in 15-week sessions, as well as short-term and sampler classes, and weekend workshops.

John Michael Kohler Arts Center
Sheboygan, Wis.
Offers a small sampling of studio art classes, as well as weekend workshops in disciplines like handmade papermaking.

Kalamazoo Institute of Arts
Kalamazoo, Mich.
Explore a variety of mediums in 12-week fall and winter terms, the six-week spring term, or the eight-week summer term.

Kaleidoscope School of Art
Barrington, Ill.
Offers classes in drawing, painting, sculpture, pottery, ceramic tile, mixed media and more.

Kansas City Art Institute
Kansas City, Mo.
The continuing education program offers a large selection of visual art classes.

Ox-Bow
Saugatuck, Mich.
One- and two-week courses focus on six main studio areas: ceramics, glass, painting and drawing, papermaking, print and metal.

Paint Creek Center for the Arts
Rochester, Mich.
Winter, spring, summer and fall terms offer classes in a variety of mediums, including clay, abstract painting and fiber arts.

Peninsula School of Art
Fish Creek, Wis.
Year-round workshops explore painting, drawing, metal, ceramics, sculpture and photography.

School of the Art Institute of Chicago
Chicago, Ill.
The continuing studies program offers evening and weekend courses and workshops in art, design, theory and practice.

SOUTHWEST

Anderson Ranch Arts Center
Snowmass Village, Colo.
Year-round workshops focus on ceramics, photography, painting, drawing, printmaking, woodworking and more.

Glassell School of Art, The Museum of Fine Arts, Houston Houston, Texas
Choose from close to 100 classes and workshops in all mediums, including painting, jewelry and photography.

Santa Fe Clay
Santa Fe, N.M.
Seven-week class sessions for all skill levels are available year-round.

Sedona Arts Center
Sedona, Ariz.
Offers three- or five-day workshops and year-round classes in painting, drawing, sculpture, ceramics, jewelry and photography.

Sonoran Glass Art Academy
Tucson, Ariz.
Year-round classes in glass blowing, lampworking, fusing, slumping and kiln casting are limited to eight students each.

Southwest School of Art & Craft
San Antonio, Texas
Classes and workshops tackle ceramics, fiber, metal, jewelry, paper, photography, drawing, painting and printmaking.

PACIFIC NORTHWEST

Archie Bray Foundation for the Ceramic Arts
Helena, Mont.
Offers quarterly community classes in throwing and hand-building, as well as one-day to two-week ceramic workshops.

Oregon College of Art and Craft
Portland, Ore.
Adult community programs provide an array of classes and workshops taught by professional artists each semester.

Pacific Northwest College of Art
Portland, Ore.
The continuing education program includes evening and weekend sessions, and their “Summer of Making” program, which offers special courses, workshops and events.

Pilchuck Glass School
Stanwood, Wash.
Offers 25 intensive residential sessions May through August, focusing on glass blowing, casting, fusing, neon, stained glass, flame-working and more.

Pratt Fine Arts Center
Seattle, Wash.
Many of their year-round classes include “Free Friday” studio access to practice your skills.

CALIFORNIA

Bay Area Glass Institute
San Jose, Calif.
Beginner, intermediate and advanced classes are available in glass blowing, fusing and torch working.

Idyllwild Arts Academy
Idyllwild, Calif.
The summer program offers workshops in contemporary and Native American arts.

Institute of Mosaic Art
Oakland, Calif.
More than 80 classes and workshops explore contemporary and traditional mosaic techniques for all levels.

Mendocino Art Center
Mendocino, Calif.
Offers more than 200 retreat-style workshops in ceramics, fiber, fine arts, jewelry and sculpture.

CANADA

Alberta College of Art + Design
Calgary, Alberta, Canada
Professional artists teach evening and weekend personal-interest classes in the visual arts.

Nova Scotia College of Art & Design
Halifax, Nova Scotia, Canada
Three campuses offer short- and long-term courses, workshops, open studios and certificate programs through the School of Extended Studies.

The Victoria College of Art
Victoria, British Columbia, Canada
Lifelong learning courses are offered during the day and on evenings and Saturdays.

Arts Travel: Mile-High Art Club

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Gordon Huether’s “Red Island” is one of six glass panels installed in a Houston airport. Credit: Misha Bruk

Magazine stands, coffee kiosks, long lines and business suits … there are certain things you’ve come to expect at the airport. Art installations probably aren’t one of them. But several airports across the country are inviting artists to create temporary exhibitions and permanent installations as a way to “humanize” the often-unfriendly spaces. Here’s a look at two of them:

The Philadelphia International Airport is currently showing four temporary exhibitions from The Clay Studio in Philadelphia as part if its ongoing exhibition program. “Generation” by Myung Jin Choi includes five views of the city, consisting of more than 7,000 ceramic elements. “Wonderkammer: Cabinets of Wonder” showcases the work of area school children. Douglas Herren and Hiroe Hanazono also have their own exhibitions; all four shows will remain on view through September.

Gordon Huether completed the permanent glass installation “Over Houston” at the William P. Hobby Airport in Houston, Texas, in December. Six large glass panels, each an abstracted view of aerial photographs Huether shot in the area, line the connector bridge of the airport. The project took 4,000 studio hours to complete.

Arts Travel: Mission: Muralismo

May 2010 | BY | Issue 72, Summer 2010 | NO COMMENTS

Colette Crutcher painted “La Madre Tonantzin” on 16th Street in 1997. Credit: Lori B (Bloustein)

Expect to confront street art with attitude at the de Young Museum’s regular Friday night series “Cultural Encounters,” where “Mission Muralismo” takes center stage through November. The first Friday events include tours, films and presentations by artists who “spray, write, tag and graffiti” the walls of San Francisco’s Mission District.

The “Mission Muralismo” movement is well documented in the book Street Art San Francisco: Mission Muralismo (Abrams). Edited by Annice Jacoby with an introduction by Carlos Santana, it details the street art scene that launched in the 1970s and transformed the district into a magnet for popular culture, fine art and political audiences.

The June 4 event features a talk by muralist Ray Patlan on the Balmy Alley arts corridor, tracing how it became an international attraction. July 2 covers the “Graff Revolution,” celebrating the masters and their style wars. And don’t miss the Aug. 6 film series, which includes “Quality of Life,” “La Misión” and “Low Riders.”

The de Young is open until 8:45 p.m. on Friday nights, and offers a variety of art programs and art-making activities, along with a free zone in the museum. The “Cultural Encounters” events are free. For details, visit www.deyoungmuseum.org or http://missionmuralismo.com.

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