Arts Tour: Oklahoma

February 2010 | BY | Issue 71, Spring 2010 | NO COMMENTS

Oklahoma, where the wind comes sweepin’ down the plain. When most people think of Oklahoma, they picture oil fields, cowboys or the famous Broadway musical, not the visual arts. Yet an arts tour in the Sooner State can give you plenty to sing about.

A latecomer to statehood, Oklahoma was called Indian Territory in its early days. The land run of 1889 opened public lands to homesteading and changed the territory’s destiny. More than 50,000 people crowded the starting points. When the signal was sounded at high noon, they poured into the 2 million acres to stake their claims. Some sneaked in ahead of time to grab choice property; they became known as Sooners. Oklahoma finally entered the union in 1907 as the 46th state.

As settlers made names for themselves and built their wealth in the oil industry, some began to amass impressive art collections. Shopping districts started to grow, and artists took root in welcoming communities. Today, Oklahoma’s arts scene proudly blends rich artistic traditions and up-to-the-minute creativity.

Web Exclusive: Click here for a list of gallery walks, fairs and other happenings in Oklahoma.

Parting Shot: Waxing Poetic

February 2010 | BY | Issue 71, Spring 2010 | NO COMMENTS

Crayons are a gateway drug,” says Nashville, Tenn., artist Herb Williams. “To most adults, the sight and smell of crayons produce specific memories of childhood.” Imagine, then, entering Williams’ recent room-sized installation at New York City’s RARE gallery, where almost 500,000 colorful crayons saturated the room with that familiar scent of wax. Williams has been living and working in Nashville since 1998, which is the same year he began using crayons as a medium. Years of searching for the right material had left the artist disillusioned, until he had a dream one night involving crayons. Today, Williams is one of the very few individuals who maintains an account with Crayola. Each color comes individually packed in cases of 3,000, which Williams still opens with childlike excitement. His installation for RARE, called “Plunderland,” used fairytale motifs to address present-day human concerns. Three white rabbits emerged from their hole to find a giant beanstalk, assumably leading to some sort of prize. But perched atop the stalk was a mysterious panther. “Is the sexy, deadly beast sated, or waiting to pounce?” asks Williams, who is represented by The Rymer Gallery in Nashville and RARE gallery.

Web Exclusive: View more images from “Plunderland.”

An Inflatable Museum?

February 2010 | BY | Issue 71, Spring 2010 | NO COMMENTS

The Hirshhorn Museum’s temporary inflatable pavilion will be visible from all sides of the building. Credit: Diller Scofidio + Renfro

The Hirshhorn Museum and Sculpture Garden’s newest undertaking is full of hot air, and that’s just the way they want it. The museum, part of the Smithsonian Institution in Washington, D.C., is planning a temporary inflatable pavilion that will be visible from all sides of the building, and at points along the Mall.

Architecture firm Diller Scofidio + Renfro has designed a 145-foot-high inflatable structure to sit in the Hirshhorn’s courtyard and balloon through the top of the building. The transformed public space will include an auditorium, cafe and meeting place.

The Hirshhorn’s goal is to create a vibrant space full of activity, where it can offer educational events, collaborations with other regional and national institutions, and a new series of conferences. The initial construction cost has been estimated at $5 million. The project is in planning stages; the first installation is scheduled for May 2011.

Editor’s Note: There’s No Place Like Home

February 2010 | BY | Issue 71, Spring 2010 | NO COMMENTS

The front porch serves as prime living quarters for Sparky and Peggy Potter’s family during warm summer months.

Family concerns over the past two years have caused me to become intimately familiar with the four-hour drive on I-95 between Baltimore and northern New Jersey. I know every toll booth, every rest stop and every speed trap along the way. Because radio station signals tend to fade in and out, I’ve started listening to old audio cassette tapes I created years ago from favorite record albums.

I never thought much about why I chose the songs I did, or how they all matched up with one another on the tapes. I’d just plunk them in and sing along with James Taylor, Joni Mitchell and all the rest as I traveled up the highway.

Until my most recent trip in late December. Inching forward at 10 miles an hour during a blinding rainstorm with way too many other holiday travelers and lots of time to think, it dawned on me that nearly every one of the folk songs I’d recorded dealt with home. Going home. Longing for home. Being home. And I was struck by just how powerful that one little word can be.

Home may be a real place. It may only be a state of mind. Either way, it packs an emotional wallop. It’s where you feel safe. Where your creativity takes flight. Where, to quote Kentucky sage John Ed Pearce, “you grow up wanting to leave, and grow old wanting to get back to.”

Just as we focus on our own homes, we tend to be equally curious about each other’s. Add artists to that equation, and you have the perfect jumping off point for AmericanStyle‘s annual Art & Design edition. Once again, our focus is Artists’ Spaces, and we invite you to join us as we journey to the homes and studios of more than a dozen working artists from California to Vermont. The settings are as diverse as the artists behind them, and just as intriguing.

Hope Daniels
Editor-in-Chief

2010 Essential Guide to Fairs & Festivals

February 2010 | BY | Issue 71, Spring 2010 | NO COMMENTS

The St. James Court fountain offers festival goers a place to take a break at the center of the art show.

Our readers weighed in on their favorite shows in AmericanStyle‘s sixth annual Top 10 Fairs and Festivals competition, and the results are in—Louisville stole the top two spots, winning voters over with its romantic historic district. The remaining favorites are scattered across the country, proving that fine American craft is ubiquitous. But because it can take time to fully explore every nook and cranny of a fair, it’s best to have a plan before you hit the aisles. We’ve gone to the experts this year—show directors and promoters—for tips on how to get the most from each of our Top 10 shows.

Amy Elswick presents her functional ceramics at Kentucky Crafted: The Market in Louisville, Ky.

1. Kentucky Crafted: The Market

Louisville, Ky.

Kentucky Crafted: The Market is exactly what it appears to be—a state-centric celebration of more than 200 local and regional artisans. Chris Cathers, program branch manager of the Kentucky Arts Council, recommends starting at the 400 aisle. “Our exhibitors are not organized by medium,” she explains. “So you will experience a wonderful mix of contemporary and traditional works.” At the end of the aisle, you’ll find frequent live performances at the Blue Moon Stage. Continue to walk through aisles 500 and 600, then return to the first, second and third for more works from bordering states. The market returns March 6-7. Visit http://kycraft.ky.gov for a $3-off-admission coupon.

Patrons take a good look at the pottery at the 2009 St. James Court Art Show.

2. St. James Court Art Show

Louisville, Ky.

If you don’t dedicate the entire weekend to walking the St. James Court Art Show in Old Louisville, you may risk “sensory overload,” warns director Marguerite Esrock. “There are more than 700 booths to visit,” she explains. “So if you’re going to do the entire show, I suggest breaking it up into two days.” Six main entrances lead in and out of four square, booth-lined blocks framed by Victorian mansions. If you do walk the show in one day, grab a program and mark your route (and where you parked!). The next show takes place Oct. 1-3. To learn more, visit www.stjamescourtartshow.com.

Goldsmith Jacob Albee and his wife Kristin welcome visitors at the Paradise City Arts Festival in Northampton.

3. Paradise City Arts Festival

Northampton, Mass.

The Paradise City Arts Festival is a multi-faceted event that incorporates work by cutting-edge emerging and established artists with an array of fine foods and live music acts. Founding director Linda Post recommends starting in the exhibition tent, where you’ll find a third of the exhibiting artists, before you break for lunch in the dining tent. Continue your afternoon in the arena building and sculpture garden. In these areas you’ll find a silent art auction, a themed showcase of exhibitors’ works, and an array of installations, fountains and garden furnishings. The show returns May 29-31 and Oct. 9-11. Go to www.paradisecityarts.com for more information.

Scottsdale Arts Festival exhibitors Mary Filapek and Lou Ann Townsend created this brooch.

4. Scottsdale Arts Festival

Scottsdale, Ariz.

The Scottsdale Arts Festival takes place in a lush 20-acre outdoor setting. “It can take an entire afternoon just to see everything,” explains festival director Janice Bartczak. She recommends starting at the Scottsdale Center for the Performing Arts, then walking along the civic center’s footpaths. “A leisurely pace is best. Be sure to stop and chat with the artists,” Bartczak says—and soak in views of landscaped gardens, fountains and permanent sculpture installations. If you have more time, your ticket also gets you into the Scottsdale Museum of Contemporary Art for the day. Make the trip March 12-14. Visit www.scottsdaleperformingarts.org for details.

Francisco’s Farm Arts Festival at Midway College takes place in a gorgeous park setting. Credit: Andrew Kung.

5. Francisco’s Farm Arts Festival at Midway College

Midway, Ky.

Francisco’s Farm Arts Festival at Midway College is about quality, not quantity. “We intentionally limit the number of artists to approximately 150 so you can visit every booth at a leisurely pace,” explains event coordinator Marcie Christensen. The show culls artists from almost 20 states each year, and offers a range of mediums in each aisle. The festival also features hourly demonstrations, public art projects, live music and an indoor gallery. Another bonus? Saturday ticket holders can return Sunday for free admission. Visit the outdoor festival June 26-27. Go to www.franciscosfarm.org for more information.

Kimberly Willcox won an award of distinction at the Kentuck Festival of the Arts in 2009 for work like this kinetic wood sculpture.

6. Kentuck Festival of the Arts

Northport, Ala.

Artists and attendees converge under shady trees to celebrate the two-day Kentuck Festival of the Arts each fall. With more than 280 artists working in 12 mediums, there’s a lot to explore. Valerie Piette, program manager of the Kentuck Museum Association, recommends walking the grounds at a leisurely pace. “It’s a laid-back, welcoming environment,” she says. Emerging artists mingle with established artists, some of whom only show at Kentuck. You can upgrade your experience through the Patron Program to receive special invitations, festival passes and “Kentuck Bucks” to spend on craft. The show returns Oct. 16-17. Visit www.kentuck.org for details.

Melissa Finelli presents her sculptural sterling silver and gold jewelry at the Bayou City Art Festival. Credit: Ben Tecumseh DeSoto.

7. Bayou City Art Festival

Houston, Texas

The Bayou City Art Festival bills itself as a biannual “finely curated outdoor art gallery.” To really soak it all in, Kimberly Stoilis, executive director of the Art Colony Association, recommends you “take the time to ask questions and hear the stories behind the art,” from some of the 300 exhibitors. Stoilis says to come on opening day to see the best of the best before artists make too many sales. You can find perks like invitations to preview parties and Art Heist through the VIP program. The festival runs March 26-28 and Oct. 9-10. For details, visit www.bayoucityartfestival.com.

T. Bayley Wharton displayed work like this “Sliding Door Shoji Cabinet” at the American Craft Council Show in Baltimore.

8. The American Craft Council Show in Baltimore

Baltimore, Md.

“The American Craft Council Show in Baltimore can be daunting for a first-time attendee,” admits Bernadette Boyle, the Council’s director of marketing and communications. To get a sense of the works of all 700 exhibitors, a game plan is a must. Boyle recommends previewing the works online, then making notes on your show guide while you walk the floor. The most important part? “Talk to the artists!” she says. “Ask about their process, what inspires them, where they’re from and where else they show their work.” Take it all in Feb. 24-27, 2011. Learn more at www.craftcouncil.org.

Learning how to throw clay on the wheel is just one of the many activities at the annual League of NH Craftsmen’s Fair.

9. League of NH Craftsmen’s Fair

Newbury, N.H.

It’s almost critical to plan ahead for the League of NH Craftsmen’s Fair in August—there are so many demonstrations, workshops and seminars, you’ll want to schedule in your favorites. More than 200 booths are perched atop a mountain overlooking Lake Sunapee. Terri Wiltse, operations manager and fair director, recommends entering at gate one or three to wander the grounds, then stopping at the lodge, or food and performance tents, when you need a break. Another can’t-miss element? The “Living with Craft” exhibition—professionally designed room vignettes furnished entirely with handcrafted works. The fair returns Aug. 7-15. Visit www.nhcrafts.org for details.

The Des Moines Arts Festival attracted more than 250,000 attendees in 2009.

10. Des Moines Arts Festival

Des Moines, Iowa

“Start on Friday, the first day of the Des Moines Arts Festival,” recommends executive director Stephen King. Pick up a festival guide and make one loop through the artist booths, taking “copious notes,” then return on a second round to talk to your favorites. If you need a break, the food courts and entertainment stages bookend the festival, so it’s easy to regroup. Upgrade to the VIP membership package to get even more out of the experience. You’ll receive credentials, a signed, limited-edition festival poster and an invitation to the members-only preview reception. Visit the show June 25-27. Find all the details at www.desmoinesartsfestival.org.

Style Spotlight: Public Art Touchdown

November 2009 | BY | Issue 70, Winter 2009-2010 | NO COMMENTS

Terry Haggerty’s “Two Minds” measures 21×126 feet, and adorns the main concourse of Cowboys Stadium. Credit: Dallas Cowboys / © Wharton Photography

This may be the world’s first comparison of a football stadium to an art museum, but fans of either will be satisfied with a visit to the new Cowboys Stadium in Dallas.

Team owners Gene and Jerry Jones conceived and funded the Dallas Cowboys Art Program, launched at the $1.15 billion stadium’s opening this fall with 14 artworks by contemporary artists adorning the walls, stairways and pedestrian ramps.

The owners gathered an Art Council of collectors and curators to help select artists for the commissions. Large-scale site-specific works by Franz Ackermann, Olafur Eliasson, Annette Lawrence, Terry Haggerty, Matthew Ritchie and others are now on display.

The program will also fund an art education program, offering tours and community initiatives. For more information, visit http://stadium.dallascowboys.com.

Style Spotlight: Art Heads Sworn In

November 2009 | BY | Issue 70, Winter 2009-2010 | NO COMMENTS

With a new administration comes new leadership at government art agencies.

Late this summer, Rocco Landesman was sworn in as the new chairman of the National Endowment for the Arts. Landesman is a theater producer who has brought plays and musicals such as “Angels in America” and “The Producers” to Broadway. He holds a doctorate from Yale, and formerly ran an investment fund.

Taking over at the National Endowment for the Humanities is former Iowa Republican Congressman Jim Leach. He was sworn into office in August.

Style Spotlight: Inside the Mind of Tim Burton

November 2009 | BY | Issue 70, Winter 2009-2010 | NO COMMENTS

Tim Burton’s “Untitled (Trick or Treat)” is among the works in the exhibition at the Museum of Modern Art. Credit: © 2009 Tim Burton

It takes a particularly creative mind to conjure up a film hero with hands of scissors, or a Christmas movie starring skeletons and other nightmarish ghouls. Fans of filmmaker Tim Burton can now get a glimpse inside that mind with a new exhibition at the Museum of Modern Art in New York.

Burton, the mastermind behind films such as “Edward Scissorhands” and “The Nightmare Before Christmas,” collaborated with curators to develop “Tim Burton,” a retrospective outlining a lifetime of visual imagination, from childhood drawings to props and costumes from his movies.

More than 700 objects will be on display, including drawings, paintings, storyboards, puppets and video. The museum will also screen Burton’s
14 feature films in chronological order, beginning with “Pee-wee’s Big Adventure,” and concluding with “Sweeney Todd, The Demon Barber of Fleet Street.” Two early short films will also be shown, along with a selection of movies that have inspired Burton.

Burton’s newest movie, “Alice in Wonderland,” is scheduled to open in theaters in March 2010, just prior to the close of the exhibition on April 26.

For more information, visit www.moma.org

City Arts: Sparkle Plenty

November 2009 | BY | Issue 70, Winter 2009-2010 | NO COMMENTS

Skaters flock to Manhattan’s Bryant Park ice rink, beside its colossal tree and brim-filled holiday booths. www.bryantpark.org
Credit: © NYC Company / Jose Luis R. Cortes

The winter holidays are both an end and a beginning, a winding down and a gearing up, a time when work gives way to glitter and sparkle—and nowhere is this truer than in New York City. Sure, the locals grouse about the traffic and all those tourists crowding the sidewalk—Richard Rothbard, longtime owner of An American Craftsman Galleries in midtown Manhattan, laughs and calls it “a nightmare.” But in the very next breath, he speaks fondly about “the way the city lights up. I love the energy,” he says. “I love the excitement.”

Little wonder, because what happens in New York during the holidays is nothing short of magic. And when you join the throngs you find yourself in a multi-media, interactive visual arts installation that fills you with childlike wonder.

To help you navigate the city’s holiday dazzle, we’re highlighting some of our personal favorites.

The theme of this year’s Origami Tree at the American Museum of Natural History is “Origami: A to Z,” showcasing an “alphabet soup” of creations through Jan. 1. www.amnh.org
Credit: AMNH / D. Finnin
Shoppers looking for a more intimate holiday experience may visit the store at the Museum of Arts and Design. www.madmuseum.org
Credit: Laszlo Regos

For more of “City Arts: Sparkle Plenty,” pick up the Winter 2009 issue of AmericanStyle today! Subscribe now and never miss an article!

Editor’s Note: More Craft Art, Mr. President

November 2009 | BY | Issue 70, Winter 2009-2010 | NO COMMENTS

Dyed and knotted nylon “Indian Summer” basket by Joh Ricci.

Oh, if only the Obamas had gone for more cutting-edge craft artists in decking out the White House with works borrowed from Washington, D.C., museums and galleries. Just think what a statement a John Garrett wall hanging would make in the West Wing. A KeKe Cribbs piece in the Oval Office. A massive Niki de Saint Phalle sculpture in the Rose Garden.

Granted, the works of four Native American potters do show up on the official list released in early October by the White House. And we like all four William H. Johnsons. But really, couldn’t they have mixed it up a little bit more? Swap out some of the dozen sleepy old George Catlins for a John Cederquist and a Richard Marquis? Or one of the Morandi still lifes (did they really need two?) for a more playfully ambitious work by Therman Statom?

An even better idea: add a few show-stopping fiber works from the artists we’ve rounded up for our special section on baskets in this issue of AmericanStyle. It would give a tremendous boost to the fiber arts community, and put the names of a lot of unsung contemporary craft artists on the map.

Although we definitely want the Obamas to take more risks with art in the White House, we’re opting for a more conservative approach to trying times here at AmericanStyle. Beginning with this issue, we’ll be publishing on a quarterly schedule in Winter, Spring, Summer and Fall. You won’t see us in your mailboxes quite as often as you used to, but we’re working to make each edition bigger in size and filled with all the same exciting features and special sections you’ve come to expect from us. You have our guarantee.

Hope Daniels
Editor-in-Chief

Sky High and Bursting with Art

November 2009 | BY | Issue 70, Winter 2009-2010 | NO COMMENTS

Jerry Slipman and Chet Robachinski’s wraparound balcony offers views of downtown Seattle, accented by Mike Moran’s “Wanderer” and Julie Speidel’s bronze “Harmony.” Credit: Benjamin Benschneider

Walk into most penthouses, and the view draws you like a gambler to Vegas. Not here. Sure, Jerry Slipman and Chet Robachinski enjoy expansive views of Puget Sound, downtown Seattle, Mount Rainier and the snow-capped Cascade and Olympic mountains. But that’s all just beautiful backdrop to what’s inside: Pablo Picasso ceramics and Joan Miró works on paper, Michael Lucero ceramic sculptures and KeKe Cribbs glass work. The list goes on, with not only big names but emerging artists, too. Everyone is welcome in this collection—under one condition.

“Each piece needs to have its own story,” Robachinski explains. “We appreciate the individual. It doesn’t matter if the artists are famous. We look for autobiographical works that address personal and intellectual development.”

Each piece needs to have its own story.
- Chet Robachinski

Slipman agrees and points out Wanxin Zhang’s work—an inspired nod to the artist’s native China and his adopted home, San Francisco. And Beverly McIver, who shares on canvas her life experiences as the daughter of a poor black domestic worker from North Carolina in the 1960s. Just two examples of the art that covers almost every surface in this 2,800-square-foot home (and its wraparound balcony).

It would be easy to assume the abundance of art is the result of their move from a 7,000-square-foot home five years ago. But Slipman and Robachinski don’t acquire art to fit a certain space; they love it and live with it as comfortably as with the leather sofa and well-worn slippers tucked beneath.

“As we built our collection, we didn’t think, We have a hole, let’s fill it,’ ” Slipman explains. “All the work has an energy that comes from it. As we bought piece after piece and placed the work, it all fit. That’s the way to build a collection—each piece takes its natural place with the other work because it’s coming from the same concept.”

For more of “Sky High and Bursting with Art,” pick up the Winter 2009/2010 issue of AmericanStyle today! Subscribe now and never miss an article!

Notice to our Readers

Our Affiliates

Go Forth Adornments

Philadelphia Invitational Furniture Show

Troy Brook Visions

L'Attitude Art & Sculpture Gallery

Ripley Auctions

Designs for Tranquility

Pismo Fine Art Glass Pinnacle Gallery
The Art School at Old Church Sedona Arts Festival
Leaflines Lela Art Crystal

Become a fan of AmericanStyle Magazine

Find us on Facebook

Free Newsletter

Sign Up Here
Get news from AmericanStyle magazine delivered directly to your inbox. Be the first to know about web-exclusive content, giveaways, contests and more!