The Perfect Arrangement

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Wendell Castle and Nancy Jurs with their dog Wiley. Photography by Kurt Brownell

A vintage Porsche and a black Suburban sit parked on the circular drive in front of a 1905 house in Scottsville, N.Y., a proverbial one-stoplight town near Rochester. It’s home to two singular artists who have been married 37 years and produced one daughter-Alison-and two distinctive careers.

On a late summer day on the property’s 25 acres of lawns, gardens and ponds, the Suburban driver rides a Gator, a small tractor, delighting the couple’s 2-year-old granddaughter, Arabella, who lives in Paris and punctuates her sentences with “oui, or is it “whee”?

The owner of the Porsche is said to be drawn outdoors only for a tennis game or classic-car show.

This has been home for Nancy Jurs and Wendell Castle since New Year’s Eve 1978. Nancy, 67, is a ceramist known for her expressive, large-scale figures, often with feminist themes, but she’s also an accomplished potter. And the Gator-riding Suburban driver.

At 76, Castle is the dean of studio furniture, but also a sculptor, adept at blurring the lines between the two. Not to mention an avid tennis player who took up the game at 50.

Jurs and Castle met in 1963 at the School for American Crafts at Rochester Institute of Technology, where she was an undergraduate student (she received her BFA that year) and he headed the furniture department. He claims he got the job in 1962 “by default” when the dean, Harold Brennan, wanted a sculptural furniture maker. “I fit the bill perfectly because I’m probably the only sculptor he could come up with who’d been making furniture,” Castle confesses.

Jurs recounts that she found this “lanky guy from Kansas with his pants tucked into his cowboy boots “‘weird.’ ” They knew each other casually, but finally clicked in 1967 when she mentioned that she was doing raku firings, using sawdust, something Castle had plenty of.

For more of “The Perfect Arrangement,” pick up the December 2008 issue of AmericanStyle today!

Laurie Pollpeter Eskenazi

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Laurie’s stoneware pottery has a feminine, playful touch, distinguished by a vibrant pallet, lush with intricate detail and whimsy. The work speaks to contemporary sensibilities while recalling romantic memories from a time past. Fall in love with the layers of texture and bits of nostalgia woven into each piece. See www.lpeclay.com.

Arts Focus: Making the Ordinary Extraordinary

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Retired folk artist Leo Naugler applied his knowledge of auto-body techniques to his art, as seen in the polychrome metal and wood “Royal Goose Fountain”.
GIFT OF IRIS E. NEWHAN, HALIFAX, NOVA SCOTIA, 1997, IN HONOR OF MARK H. NEWHAN SHAWNA NEWMAN, MIRKEN AND AMY F.P. NEWMAN BROWN

In Nova Scotia, Atlantic Canada’s not-quite-an-island province, folk art and its makers are aptly described as quirky, whimsical, spirited and resourceful. Born of farming and seafaring traditions, folk art straddles a line between functional and fanciful. The best works are playful, yet provocative; naive, yet sophisticated; familiar, yet fresh. They share a common heritage, but differ in interpretation, with one underlying similarity. “It’s happy art,” says Patti Durkee, owner of From the Heart Folk Art gallery. “With Nova Scotia folk art, you smile.”

Defining Nova Scotia folk art is as elusive as catching a wave in your hands. “It’s like jazz,” says Chris Huntington, an American who began encouraging, collecting and promoting it in the 1970s. “You either hear it, or you don’t. You either see it, or you don’t.”

Bernard Riordon saw it. While Huntington’s enthusiasm and blue-chip reputation as an art and antiques dealer fostered the resurgence of Nova Scotia folk art, Riordon gave it prominence as he built a significant collection during his 30 years as director of the Art Gallery of Nova Scotia.

“Folk art is very extraordinary art by very ordinary people,” says Riordon, now director and CEO of Beaverbrook Art Gallery. It was born out of utilitarian needs, when ordinary people took mundane objects and gave them personality, character and charm.

Maud Lewis’s house is permanently installed in the Art Gallery of Nova Scotia.

No Nova Scotia folk artist exemplified that ordinary/extraordinary dichotomy better than Maud Lewis, Canada’s Grandma Moses. Physically deformed, dirt poor and living as a recluse in a one-room house without water or electricity, art was her passion and her home became her canvas. Lewis painted every conceivable open space or object inside and out-cupboards, shutters, cooking pans and doors included-with bright, cheerful, childlike images, turning the house into a folk art masterpiece.

For more of “Arts Focus: Making the Ordinary Extraordinary,” pick up the December 2008 issue of AmericanStyle today!

Main Exhibit Gallery

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

A rolling desk chair worthy of an art collector’s home, this piece was sculpted by Paul Sirofchuck from cherry with wenge and stainless steel accents. Like all of his furniture, it is functional, stylish and comfortable. See more at www.mainexhibitgallery.com.

Elements Gallery

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Abelman Art Glass has created this colorful and whimsical hand-blown glass vase with intricate detail. Find this vase, plus other handmade art glass, jewelry, bronze sculpture and wall art at Elements Gallery, located in the lobby of the Bellevue Hyatt Regency. Elements offers a wide selection for home and office decor, as well as affordable gifts. Call 425-454-8242.

Emetal Sculpture

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Don’t be scared. “The Thing that Fell to Earth” is not here to eat your brain, or abduct your pets. It is, however, on a cosmic mission to bring curiosity and wonder to all who gaze upon it. Constructed of steel and found objects by Eric Holt, Creative Metal Genius. See more oddities at www.emetalsculpture.com.

Saratoga Picture Framing

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Rose in the Storm” is an original signed photo by national bestselling author and photographer Jon Katz. This fine art photograph features Rose, the manageress of Bedlam Farm. For more images and notecards, visit www.saratogapictureframing.com.

Jim Millar

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Jim Millar has been creating self-contained bronze fountains for almost 40 years. Their graceful lines, combined with the soothing sounds of the flowing water, ensure compatibility with any indoor or outdoor environment. To view all available models, visit www.jimmillar.com.

Lilywork Ceramic Ornament, LLC

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Lilywork introduces “Floral Aegean,” a bold twist on an antique motif, 18”x18”. Inspired by centuries of art and diverse cultures, Lilywork ceramic designs complement a range of interior and exterior decor. View the entire Lilywork collection online, including decoratives, field tile and a new line of tile art. See www.lilywork.com.

Rockledge Design Studios

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

From the Frits Van Eeden Collection

When you are looking for something special, look to Rockledge Design Studios for art furniture, sculpture and accessories to please the senses. Available at select galleries. See www.rockledgedesign.com. For exciting custom and architectural elements visit www.rdsindustrial.com.

Gilles Payette

October 2008 | BY | December 2008, Issue 64 | NO COMMENTS

Gilles Payette interprets sculptural pieces through multiple representations, experimenting with form and color. Concentrating on these objects that reflect and cover the body, his work is a meditation on the physicality and core experience that gives us a sense of ourselves. For information, call 450-244-6314.

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