In Memoriam – Barbara-Rose Okun

January 2008 | BY | Issue 60 | NO COMMENTS

Fiber artist Barbara-Rose Okun died of cancer at her home in Santa Fe, N.M., in December at the age of 75.

Okun ran two art galleries in her lifetime, one in St. Louis, Mo., and one in Santa Fe, to promote and establish craft artists. She specifically rallied for the ceramic, fiber and basket arts, hosting groundbreaking shows.

In addition to serving on many boards and committees, Okun inspired collectors, artists and gallery owners alike with her enthusiasm and passion for life and for craft.

In the latter part of her career, Okun explored metal smithing and weaving, and won awards for her small-scale work. She is survived by her husband, Edward, and her children, Neil and Roxanne.

Style Spotlight: Andrew Glasgow Heads ACC

January 2008 | BY | Issue 60 | NO COMMENTS

The American Craft Council (ACC) announced on Nov. 26 that deputy director Andrew Glasgow had assumed immediate day-to-day responsibilities as its acting executive director.

Former executive director Carmine Branagan resigned on Nov. 9. “Carmine made many positive contributions to the council. She has certainly raised the visibility and reputation of the council during her five-year tenure,” says Marc Grainer, chair of the ACC’s board of trustees. “The board is delighted to have Andrew at the helm … he brings a wealth of experience.”

Glasgow was formerly the executive director of The Furniture Society in Asheville, N.C., and has been a leader in the craft field for nearly 20 years. “It’s an exciting time to be at the council. We have so many new programs and initiatives already in place,” Glasgow says.

Style Spotlight: Art on the Small Screen

January 2008 | BY | Issue 60 | NO COMMENTS

When discussing art, gallery owner Allan Stone said, “It’s soul food—you’re buying things that will enrich your life.” Whether or not you have the opportunity to buy, you may certainly want to watch and learn. We’ve found three compelling DVDs that tell the stories of two ceramists, a painter and a collector.

If you want to be tantalized by two celebrated ceramists, pick up the 10-minute movie “Spontaneous Dance.” Created to benefit the Harnack Lancaster Award through the nonprofit New Mexico Potters and Clay Artists, the DVD explores a brief history of Barbara Harnack and Michael Lancaster’s accomplishments and exposes you to their greenware and firing processes—it’s difficult not to be sucked into this tactile experience.

To obtain a copy, visit www.studio98b.com and make a donation to the award fund. A number of limited-edition, signed DVD covers will be released for donations greater than $15.

If you know the stories of artists like Wayne Thiebaud, Richard Estes and Andy Warhol, you should know the name Allan Stone. The hour-long documentary “The Collector” tells the story of the preeminent New York gallery owner and art collector through interviews with Stone and artists he represented.

Stone was a man who literally lived art, possessing what his colleagues simply referred to as “it”—an impeccable eye that zeroed in immediately to the best object in a room. To see clips from the video or to purchase a copy, visit www.thecollectorfilm.com.

Alice Neel struggled for decades to be recognized as a portrait artist in New York. When she was finally hailed as a symbol of the women’s movement in the 1970s, Neel had already lost two children, had a nervous breakdown and moved on to establish a new style of portrait painting. To learn more about the artist, view a trailer of the documentary “Alice Neel” and see portraits with verbal commentary, go to www.aliceneelfilm.com.

Style Spotlight: Artists Honored

January 2008 | BY | Issue 60 | NO COMMENTS

A portion of the quilt “Full of the Faith” by USA Fellow Gwendolyn Magee.

For the second consecutive year, United States Artists (USA) awarded 50 $50,000 unrestricted grants to artists of all disciplines from across the country in recognition of the caliber and impact of their work.

Among the recipients were five artists working in crafts and traditional arts: Tommy Joseph, a totem pole carver from Sitka, Alaska; Gwendolyn Magee, a quilter from Jackson, Miss.; Maggie Orth, an electronic textile designer from Seattle, Wash.; Virgil Ortiz, a potter from Santa Fe, N.M.; and Susie Silook, a sculptor and carver from Wasilla, Alaska.

The organization was established in 2006 with funding from the Ford Foundation, the Rockefeller Foundation, the Prudential Foundation and the Rasmuson Foundation. A complete list of 2007 USA Fellows can be found at www.unitedstatesartists.org.

Victor DiNovi, Artist

January 2008 | BY | Issue 60 | 1 COMMENT

Victor DiNovi’s dining chair was created from African mahogany.

Coming from a family of artists, musicians and craftsmen, Victor DiNovi felt right at home when he decided to become a professional furniture artist. With no formal education or training, he jumped right into experimenting with wood to create timeless signature pieces marked by smooth edges and comfortable forms.

Working with wood for 45 years, DiNovi has mastered many technical skills that allow him to tackle more demanding work. “I like to challenge people’s assumptions of what furniture should look like and, by extension, their assumptions about all of life’s complexities,” he says. His biggest challenge is to achieve comfort through “maximum function” and exquisite, artful form.

Having produced more than 3,000 pieces over the course of his career, DiNovi has exhibited at the American Craft Council shows, the Smithsonian Craft Show and the Sausalito Art Festival. He is represented by various galleries, including the William Zimmer Gallery in Mendocino, Calif., and Dovetail Collection in Healdsburg, Calif. His furniture covers a wide price range, from $2,000 to $25,000, with larger architectural projects of up to $100,000. Visit www.victordinovi.com for more information.

Alain Belanger
Avner Zabari
David Finck
Don Green
Jack Larimore
Jonathan Maxwell
Kerry Vesper
Matthias Pliessnig
Scott Grove

Scott Grove, Furnituremaker

January 2008 | BY | Issue 60 | NO COMMENTS

Scott Grove’s “Amber” console was created from quilted maple.

Sculptor-turned-furniture-artist Scott Grove has seamlessly woven the two trades into one, which he calls “sculptural art furniture.” Grove is a completely self-taught craftsman who has been polishing his talent for more than 30 years. He creates pieces that incorporate “carved textures, rich copper-based finishes and exotic woods with radiant figured grain.” Attempting to awaken the curiosity of one’s inner child, Grove contrasts color and texture, urging the viewer to reach out and touch.

Getting established was not easy for Grove, whose work was assessed as “too highend for street fairs, too commercial for art galleries, and too artsy for furniture stores.” Now, as a business owner, he faces the day-to-day challenge of balancing creativity with company responsibilities.

Grove is often asked about the unique titles of many of his custom-designed pieces. Having to constantly jog his memory, he resorted to naming each piece after someone he knew, like “Victoria” and “Bob Jr.” By providing each piece with its own personality, the collection became an extended family. With a furniture line established, Grove hopes to return to his sculptural roots to create work with an “increased visual message.” As he puts it, “you don’t know the line until you’ve crossed it.”

Grove’s furniture has been shown at SOFA New York and Chicago and the American Craft Council show in Baltimore, Md. His collections can also be found at Grovewood Gallery in Asheville, N.C., Langman Gallery in Willow Grove, Pa., and The Guild at www.artfulhome.com. Prices run from $1,000 to $8,000 for standard pieces; commissioned work starts at $5,000 and can reach up to $100,000. For more information, visit www.scottgrove.com.

Alain Belanger
Avner Zabari
David Finck
Don Green
Jack Larimore
Jonathan Maxwell
Kerry Vesper
Matthias Pliessnig
Victor DiNovi

Matthias Pliessnig, Wood Artist

January 2008 | BY | Issue 60 | 2 COMMENTS

“Bends,” created in 2006 of steam-bent oak.

Using everything from Legos to wood, Matthias Pliessnig has always found joy in building. A Rhode Island School of Design graduate, Pliessnig is currently finishing up a graduate degree from the University of Wisconsin-Madison.

Pliessnig’s most recent work “is becoming more and more about holding the body and making connections with historical context,” he says. His unique technique focuses on the process of steam-bending wood, which he learned while building a boat two summers ago. The wood is air-dried rather than kiln-dried, providing better flexibility while still maintaining enough moisture. Pliessnig then cuts the wood into strips and puts them inside a tube filled with steam. After about 10 minutes he pulls the strips out and bends them into his desired shape. The dried wood becomes very sturdy. His seats appear to cradle the body, magically bending but not breaking.

In the next few years, Pliessnig hopes to work with architects on interior and exterior spaces. “I imagine large snaking forms hugging walls, swooshing around corners and splitting around columns,” he says.

The innovative artist soon hopes to be making furniture in “batch production,” triggering lower retail prices. Although price range varies from piece to piece depending on time and materials used, small sculptures are $100, while larger seating runs around $4,000. To see more, go to www.matthias-studio.com.

Alain Belanger
Avner Zabari
David Finck
Don Green
Jack Larimore
Jonathan Maxwell
Kerry Vesper
Scott Grove
Victor DiNovi

Kerry Vesper – Wood Artist

January 2008 | BY | Issue 60 | NO COMMENTS

Kerry Vesper’s “Kitchen Counter Chair” was created in 2006.

Watching “taffy being pulled, the flow of a large flag blowing in the wind, a twisted weathered tree trunk and cloud formations” are just a few of Kerry Vesper’s muses.

Woodworking was initially only a hobby for the now-established furniture artist. He pursued it while working as a clinical social worker and, with the encouragement of fellow artist and friend Dennis Jones, realized that it could be a profession.

Influenced by artist Wendell Castle’s stack laminating technique, Vesper uses similar elements to develop his own personal style of layering and shaping plywood with “exotic and domestic hardwoods.” He is remarkably able to capture a fluid movement in a medium as hard and definite as wood.

The Arizona native’s forms are inspired by those found in nature, often drawn from the Southwestern desert landscapes of his childhood. Vesper’s newest designs are wall sculptures and collaborations with glass artist Alisha Volotzky. “I like to create forms that capture the flow of molten glass that is frozen when it cools,” says Vesper.

The collection runs from $1,500 to $9,000 and can be seen at his studio in Scottsdale, Ariz. Visit www.kerryvesper.com for more information.

Alain Belanger
Avner Zabari
David Finck
Don Green
Jack Larimore
Jonathan Maxwell
Matthias Pliessnig
Scott Grove
Victor DiNovi

Jonathan Maxwell – Furnituremaker

January 2008 | BY | Issue 60 | 1 COMMENT

Art Deco inspirations are evident in Maxwell’s steel “Rabbino Corner Cabinet.”

Baltimore-based artist Jonathan Maxwell constructs his furniture out of steel. His work relates to the Art Deco era and the Industrial Age, concentrated mainly on the shapes and structures of the 1930s.

The antique-looking details of the work contrast powerfully with the modern elements of the steel. “I feel connected to the pedestrian nature of these materials and take it as a challenge to evoke a sense of history and context and beauty,” Maxwell says.

He begins his process by rescuing scrap pieces from industrial sites and then, with barely a sketch, transforms his ideas into larger metal works that convey a cinematic quality.

Over the past 14 years of his professional career, Maxwell’s work has evolved into “larger and more complex” pieces, while still keeping a “clean and refined” look. He hopes to continue in a similar vein, incorporating wood into his work.

Maxwell’s work ranges in price from $1,000 to $10,000. Visit www.maxwellstudios.com for more information.

Alain Belanger
Avner Zabari
David Finck
Don Green
Jack Larimore
Kerry Vesper
Matthias Pliessnig
Scott Grove
Victor DiNovi

Jack Larimore, Wood Artist

January 2008 | BY | Issue 60 | 1 COMMENT

Jack Larimore’s “Old Pine Story” is made of salvaged timber and felt.

In business for more than 25 years, Philadelphia artist Jack Larimore has perfected the creation of innovative furniture. A 1973 graduate of Michigan State University, Larimore was once a landscape architect, where he learned design process fundamentals and became “aware of the beauty in the processes of nature.”

Larimore describes his current work as “minimalist material and form explorations” using mediums such as wood, steel, concrete and recycled plastics to create organic forms that simulate movement. The uncertainty and excitement surrounding a new piece of wood is what keeps Larimore creating fresh work.

His current collection features a group of pieces that are “in dialogue with one another.” Larimore successfully straddles the line between form and function, leaving the viewer to wonder whether his work is sculpture or a piece of furniture.

Larimore’s work has recently been featured in shows like Eileen Tognini’s Gallery in the Garden in Hawk Mountain, Pa., and the Philadelphia Invitational Furniture Show. His pieces retail for $8,000 to $35,000. To see more, go to www.jacklarimore.com.

Alain Belanger
Avner Zabari
David Finck
Don Green
Jonathan Maxwell
Kerry Vesper
Matthias Pliessnig
Scott Grove
Victor DiNovi

Don Green, Artist

January 2008 | BY | Issue 60 | NO COMMENTS

“Miss Olivia’s Writing Desk” was created in 2003.

With 17 years of practice, Don Green has managed to flawlessly intertwine modern and classic qualities to craft furniture pieces that have a “strong, simple and timeless design.” After graduating as a sculpture major from the University of the Arts in Philadelphia, Pa., he apprenticed with furniture maker Michael Hurwitz. In 1992, Green and his wife Jenifer founded GreenTree, a studio in Treadwell, N.Y., that allows him to concentrate on design while she handles the sales and marketing. Green’s talent has been recognized with many awards, including the Bronze Award from the Smithsonian Craft Show in 2004 and the Best in Furniture Award from the American Craft Exposition in 2005.

The artist aims to build furniture that is “sound in construction and simple in design,” but not easily reproduced. “I’m not trying to reinvent the wheel,” he says, but rather “to develop my own language of form while at the same time honoring tradition.”

Green designs everything from tables and home accessories to full dining room sets. He is represented by The Signature Shop & Gallery in Atlanta, Ga., Sansar Gallery in Bethesda, Md., and Mimosa Gallery in Saratoga Springs, N.Y., with work ranging in price from $105 to $8,000. Log onto www.greentreehome.com for more information.

Alain Belanger
Avner Zabari
David Finck
Jack Larimore
Jonathan Maxwell
Kerry Vesper
Matthias Pliessnig
Scott Grove
Victor DiNovi

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